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BLUEPLANET PRODUCTIONS - FILM POST PRODUCTION

Sectasaur the movie - producing, scripts, casting, directing shooting, editing and marketing

 

 

 

K: Post Production

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.

.

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K1

Cutting room

      180.00

25 wks

      4,500.00

K2

Editing room

     250.00

14 wks

     3,500.00

K3

Editing materials

    40.00

25 wks

     1,000.00

K4

Spacing leader

      70.05

25

      1,750.00

K5

Sound effects

       12.00

600

        7,200.00

K6

Composer

       10,500.00

1

       10,500.00

K7

Arranger

        5,000.00

1

        5,000.00

K8

Producer

        5,000.00

1

        5,000.00

K9

Score copier

          570.00

1

        570.00

K10

Musicians

          320.00

24 (3)

        23,040.00

K11

Instruments

          20.00

75 (3)

        4,500.00

K12

Recording studio

        1,000.00

5 days

      5,000.00

K13

Sound mix

    1,000.00

28 hrs

      28,000.00

K14

M&E track

          650.00

7

        4,550.00

K15

Safety copies (vid)

       550.00

7

        3,850.00

K16

Post sync.

  800.00

70 hrs

        56,000.00

K17

Sync. rights

       18,000.00

1

        18,000.00

K18

Video copies

     3,000.00

1

        3,000.00

K19

Post production script

     1,700.00

1

        1,700.00

K20

Project facilities

          350.00

11 wks

        3,850.00

..

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..

..

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Subtotal K.

   190,510.00

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.

.

.

.

 

 

POST PRODUCTION

 

Post-production is part of filmmaking and the video production process. It occurs in the making of motion pictures, television programs, radio programs, advertising, audio recordings, photography, and digital art. It is a term for all stages of production occurring after the actual end of shooting and/or recording the completed work.


Post-production is, in fact, many different processes grouped under one name. These typically include:

* Video editing the picture of a television program using an edit decision list (EDL)
* Writing, (re)recording, and editing the soundtrack.
* Adding visual special effects - mainly computer-generated imagery (CGI) and digital copy from which 

   release prints will be made (although this may be made obsolete by digital-cinema technologies).
* Sound design, Sound effects, ADR, Foley and Music, culminating in a process known as sound   

   re-recording or mixing with professional audio equipment.
* Transfer of Color motion picture film to Video or DPX with a telecine and color grading (correction) in a 

   color suite.


Typically, the post-production phase of creating a film takes longer than the actual shooting of the film, and can take several months to complete because it includes the complete editing, color correction and the addition of music and sound. The process of editing a movie is also seen as the second directing because through the post production it is possible to change the intention of the movie. Furthermore through the use of color correcting tools and the addition of music and sound, the atmosphere of the movie can be heavily influenced. For instance a blue-tinted movie is associated with a cold atmosphere and the choice of music and sound increases the effect of the shown scenes to the audience.

Post-production was named the one of the 'Dying Industries' by IBISWorld. The once exclusive service offered by high end post houses or boutique facilities have been eroded away by video editing software that operates on a non-linear editing system (NLE). However, traditional (analogue) post-production services are being surpassed by digital, leading to sales of over $6 billion annually.

The digital revolution has made the video editing workflow process immeasurably quicker, as practitioners moved from time-consuming (tape to tape) linear video editing online editing suites, to computer hardware and video editing software such as Adobe Premiere, Final Cut Pro, Avid, Sony Vegas, Cinelerra, and Lightworks.

 

 

Post production editing suite for feature films

 

 

UK SCREEN ASSOCIATION

 

UK Screen Association is the trade association that represents companies providing services to the Screen Industries - film, tv, commercials etc. It is an independent, industry- funded body with membership comprising companies involved in post-production, visual effects, physical special effects, audio, cameras, lighting, freelance talent, outside broadcast and studios.

We provide a range of services and events from networking, training and information sessions to access to business and legal advice, bursaries and discounts. Most importantly UK Screen provides a central voice for the industry by gathering and representing the views of the sector to Government, Broadcasters, Studios, manufacturers, production teams and other interested parties.

We work closely with bodies such as DCMS, BIS, PACT, BFI, Film London, The British Film Commission, Skillset, Next Gen, The Digital Production Partnership, BSAC, The Production Guild, the Migration Advisory Committee and many more. UK Screen is widely-acknowledged as the entity to be included in any consultations affecting TV and film production facilities companies.

 

CONTACTS

UK Screen Association
47 Beak Street
London, W1F 9SE

t: +44 (0)20 7734 6060
f: +44 (0)20 7287 2727 

e: angela@ukscreenassociation.co.uk

 

 

 

VISION - The rights to this story now vest in the Cleaner Ocean Foundation. The Foundation are looking to produce scripts and graphic novels based on the stories of Jameson Hunter - in turn inspired by generations of cult classics such as: Them, Phase5, Dr Who and Empire of the Ants. The same special effects artwork, doubles up for Jimmy Watson's Magic Dinobot.

 

 

 

Anthony the giant prehistoric insect from Antarctica, is also Jimmy Watson's Magic Dinobot

 

 

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